John Vander was born in Glasgow’s east end on a snowy Thursday night in November 1965. The next few years are a bit hazy, but he remembers being bathed in the kitchen sink. Then there was school. On his first day there he attempted to enter the girls’ toilet by mistake and had the door slammed on his head, an experience he would later come to regard as prophetic. Since leaving school, John has seen and done a lot of things, some good, some bad. He has written poems and songs about these things and will write more if he does not die before he has the chance. He has also written a book called ‘Carcassonne’, which tells the story of the time he spent working as a musician in the southern French town of the same name. He is currently working on a new book called ‘The Mushroom Days’. Despite its title, it has nothing to do with cooking. These days, John lives in Lorraine in northern France. He has previously been published in Aesthetica magazine.
JOHN'S INFLUENCES:
PROFESSOR JOHN ANDERSON
I studied under John whilst at Edinburgh University and he taught me more about language than I would have believed possibly. A scholar and a gentleman.SIR JAMES FRAZER
It always makes me laugh when I see ‘The Golden Bough’ in the ‘new age’ section of a book shop. Pure irony. It should be taught in the schools. It would sort out a lot of the nonsense that people talk about religion.
Click image to read a biography and bibliography of Frazer on the Kirjasto website; to read 'The Golden Bough' online on the Sacred Texts website, click here or for related books on Amazon, click here
LEONARD COHEN
Part Jew, part Jesuit, part Buddhist, part musician, part poet, complete lech. A Canadian Catullus, and, for my money, the greatest songwriter of the twentieth century. (Sorry, Stef.)
Click image for the official Leonard Cohen website; for the Leonard Cohen Files site, a comprehensive information source Cohen's career and life, click here; for profile and links on the Bird on a Wire site, click here; for the Leonard Cohen Concordance, a word index to Cohen's poems, songs and novels, click here or to view his work on Amazon, click here
DYLAN THOMAS
‘Dead men naked they shall be one / With the man in the wind and the west moon’
Enough said.
Click image for biography, bibliography, links and online texts on the Poetry Exhibits website; for a profile of Thomas and a great selection of links on the Pop Subculture website, click here or for related items on Amazon, click here
ROBERT BURNS
Hate hearing his songs murdered by the shortbread-tin brigade. He was brought up on a farm, for Christ’s sake.
Click image to visit Burns Country, the official Robert Burns website; for the Robert Burns Federation website, click here or for related items on Amazon, click here
SERGE GAINSBOURG
The man who wrote Je t’aime, moi non plus (I love you, me neither). Once told Whitney Houston on live television that he wanted to fuck her. A most gallus Frenchman.
Click image to read about Grünberg's novel, 'Blue Mondays'; to read about Grünberg's novel, 'Phantom Pain,' click here or to read about his novel, 'Silent Extras,' click here
GEORGE ORWELLThe first part of ‘Down and Out…’ contains some of my favourite writing. Clean as a whistle. Then there’s ‘1984’. What can you say? He did some work on it when he was in Hairmyers hospital in East Kilbride. Not a lot of people know that . . . .
For the political writings of George Orwell on Abattoir.com website, click here, or for related books on Amazon, click image
JACK KEROUAC
I read ‘On the Road’ when I was about seventeen. At eighteen I was hitch-hiking the length of France in a grubby white T-shirt. That says it all, really.
Click image to visit the official Jack Kerouac website; to listen to Kerouac reciting (and singing) his work on the Kerouac Speaks site, click here or to view Kerouac's back catalogue on Amazon, click here
CHARLES BUKOWSKI
A sly old dog posing as the artless voice of truth, but a brilliant writer none the less, and the man who, more than any other, gave writing to the people.
Click image for online texts and a great selection of links relating to Bukowski on the Levity.com website; for an interview with Bukowski on the Art Damage website, click here or for related items on Amazon, click here
ERNEST HEMINGWAY
A bit of an arsehole by some accounts, but you can’t help admiring the craft. Sentences so carefully structured that commas become almost redundant.
Click image for the Ernest Hemingway: His Life and Works website; for the website of the Hemingway Resource Centre, click here or for related books on Amazon, click here
JOHN'S FAVOURITE DRINKS:
1. Cognac (or any good brandy). I’m a relative latecomer to the opinion that brandy is the ultimate drink, but that’s more down to the fact that I’ve only recently started drinking it than anything else. Liquid gold. And a lovely buzz.
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2. Jameson’s whiskey I know it’s a blend, but I don’t care. Beautifully smooth, and has just the right level of sweetness. Usually have a double with the third or fourth beer. Straight down the hatch and wait for the rush. Aaaaaaah.
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3. Guinness Have never been a fan of real ales (I find them too oily), and no other pasteurised beer really comes close.
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4. Burgundy Lighter and subtler than Bordeaux. Neck three of four glasses whilst preparing the vegetables. The ones before the meal are always the best.
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5. Champagne Gets the name of being a society drink, but I’ve seen people go apeshit after drinking a lot of it. Goes straight to the head, and, as Muddy Waters has pointed out, also goes great with a smoke.
Outside the hospital, the autumn leaves
were going out in a blaze of glory,
bursts of searing yellow
against the cloudless sky;
something to do, they said,
with the fine summer -
all of that sunshine stored up in a colour.
The Old Man was in ward seven,
'the liver ward'.
The people there were yellow too;
but not a good yellow like the leaves;
these were alcoholics, junkies, cancer patients,
all of them reaping the sad rewards
of bad habit,
and of even worse luck.
When we got there he was propped up in bed.
He was scared; I could see it in his eyes.
I didn't blame him;
they had stuck him with the big needle,
and now he was waiting -
waiting to find out
if he was going to die.
When we were young he would come home drunk. Death, he would say, is inevitable.
It was just another one of his catch phrases,
Like I've never said a wrong word in my life,
or Goodnight and fuck you all,
and it would make us laugh -
me and my bothers and sisters.
But it was true, of course.
He made it through the next year
and died the following February,
on a beautiful Sunday morning
with sunlight coming in through the window.
No glory here.
Unless maybe there is some glory
in the end of pain,
and in the love stored up in a son's heart.
Revolving each day
by the walls of the town,
its wooden horses bobbing
in slow time
to grinding waltzes,
it was a relic of summer,
miraculous still as the year grew old
and the tourists fell away like leaves.
When the sun went down
its lights came out like stars,
bright constellations
blazing in circles
while happy children laughed,
safe under the sign of the tea-cup
and the nodding donkey.
Janey and I worked as watchmen.
Shepherding our dumb charges
through the dark hours,
we sat each night on a bench
by the ticket hut
and drank and sang songs
as the giant September winds
sent clouds galloping over the rooftops
and the sleeping towers.
Sometimes we made love,
and once I chased her, naked,
to the fountain by the city gate.
Will you always love me?
She asked me then, Even when I'm old and grey?
Promise that you'll love me, love,
that you'll never go away.
So I promised I would stay with her,
and beside us the water murmured
and whispered its approval.
But the world is stronger than promises,
stronger even than love;
dreams spun upon the turning years unwind,
and hearts get broken on the wheel.
And fate?
Fate is just a fancy word for whatever comes to pass.
Once on a street in southern France
I sang a serenade,
strumming away on an old guitar,
accompanied by crickets
and by moths who beat their heads
against a nearby lamp.
Only maybe 'serenade'
gives the wrong idea,
because the words I sang
were not of love
but of lost love,
and they flew from my lips
like panicked birds
startled by the sound of their own meaning.
The girl did not appear,
and when the song was done,
I walked alone across the old bridge
and looked up at the night sky and thought: The moon is a dead flower
pressed between the weight of days,
and on those days is written
the sad story of my own life.
But in the place Gambetta
I stood by Bringer's bust
and his murdered ghost spoke to me and said:
To shave their heads was not enough,
these women who gave
their good French cunts
to the invader while their men
were hunted like beasts
and tortured in the cells of the Gestapo.
And with these words in my ears
I shouldered my guitar
and marched on into the night.
(Jean Bringer was a leader of the French Resistance in World War II.
He was murdered by the Nazis in 1944.)
The Manicheans believed
that the world is hell,
an evil place
where fragments of holy light
are trapped in matter
like bright pearls
sunk in a dark ocean,
awaiting liberation
through purification.
Einstein believed
that the atom could be split,
and that the energy released
would be directly related
to mass and the speed of light,
that huge amounts of power
could be set free
by destroying tiny amounts of matter.
In 1945 a nuclear device
was detonated over the Japanese
town of Hiroshima.
In the resultant explosion
0.6 grams of matter
were converted to energy
and tens of thousands of people
were instantly burned alive.
Was it holy light that reduced them to shadows?
It's difficult to say.
But the Manicheans were definitely
right about one thing:
this world can be one hellish fucking place.
I don't like it at all, this death thing,
this never eating or sleeping
or drinking of fucking again thing.
I mean, no more ham and eggs?
No more sweet dreams in soft linen?
No more cold beer on a warm evening?
No more sticking your stiff cock
into the soft belly of a woman?
I've heard it said that death is part of life,
but that's only true for the living.
Death is not part of life;
it's something outside of life.
In fact it's not even something. It's nothing.
It scares the shit out of me,
and no sculpted wreath of words will ever console me.
We had been working all morning:
snipping off the grapes,
dropping them into buckets,
following rows till we reached the end,
moving to new rows, starting back again.
Not long before lunch
we walked to a hill high above the village.
There was a field there
where special fruit grew. Work slowly and gently,
the farmer's son said in French.
To work slowly was a blessing.
The vines were small
and delicate,
their roots dark
and gnarled as the hands
of ancient peasants.
The leaves were
saffron coloured,
intricately veined.
In their midst,
the grapes hung
in purple clusters.
I worked for a while
then straightened up
and looked around me:
a rolling landscape
ribbed with emerald,
smudged with
black conifers,
a sky of perfect blue
where banks of cloud
hung in a frozen
avalanche of silver.
I picked some grapes,
put them into my mouth
and chewed until
the sweet flesh was gone
and all that remained
were the seeds
and the dry and bitter skin.
How hard it must have been for you
to watch your hopes for me dissolve,
to see my bright potential tarnish
like an unfilled silver cup,
how hard to watch your lord of days
yield to every moment's passing,
your captain of the wine-dark seas
shipwrecked in a glass.
Like I say,
all of this must have been hard,
so hard that, in the end,
it must have been easy enough to walk away.