R.W. Hurst was born in East York, Ontario, Canada in 1955 and now lives in Ajax, Ontario, Canada where he has for the past 20 years owned and operated a small industrial publishing company: The Electricity Forum. His poetry has appeared in several Canadian poetry magazines and journals over the years. He is also active in community theatre where he acts and directs small productions. He has numerous writing awards from the Canadian Business Press Association. He has lived in Toronto, Montreal, Vancouver, St. Catharines, NYC and Moscow. Semi-successfully married. One cat: Osma Bin Kitty.
R.W.'s POETICAL AND LYRICAL INFLUENCES
STEELY DAN
Click image to visit the official Steely Dan website; for the Steely Dan Internet Resource site, click here or for related books and cd's on Amazon, click hereT.S. ELIOT
Click image to visit, What the Thunder Said website, regularly maintained website dedicated to the life and work of T S Eliot; for the University of Missouri's Eliot website,click here or for related items on Amazon, click here
TOM WAITS
Click image for the offical Tom Waits website; for Peter Murphy's review of Waits' album, 'Real Gone' on The New Review section of this site, click here; for an interview with Waits on the Onion AV Club site, click here; for Salon.com profile of Waits, click here or for the book, 'Beautiful Maladies,' featuring many of Waits best lyrics, click hereAL PURDY
Click image for a profile of Purdy on the 100 Canadian Poets website; to listen to a radio programme about Purdy on the CBC website,click here or for related items on Amazon, click here
LEONARD COHEN
Click image for the official Leonard Cohen website; for the Leonard Cohen Files site, a comprehensive information source Cohen's career and life, click here; for profile and links on the Bird on a Wire site, click here; for the Leonard Cohen Concordance, a word index to Cohen's poems, songs and novels, click here or to view his work on Amazon, click hereIRVING LAYTON
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JONI MITCHELL
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Click image to visit the website of the W.H. Auden Society; for a biography and online texts on the Poetry Exhibits website, click here, or for related items on Amazon, click here
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SELECTED POETRY
by R.W. HURST
BABIY YAR*
before we lay down together
under waning autumnal skies
we grasp each others' brittle hands
tendons braced with loving fear
at the random intersection of
Melnikovsky and Dokhturov Streets
we queue for non-existent trains
abandon clothes and dignity
before stone-faced administrators
clipboards and counting machines
our cold feet wet with dew
a boy-faced, Waffen-SS guard
sporting wooden baton
and blood-soaked pistol, smiles
then strikes dancing children
shivering, we gaze beyond
the steep, wooded ravine
and unexplained hatred
of choking, exhausted MG-34s
to the turquoise Dnieper
wrapping it's caressing arm
around Podil's shanty rooftops
and our fractured innocence
while Andreevskaya's golden domes
spin heavenward, ambivalent
to Juden seeking protection
*****
today, I stand in Babiy Yar
scraped clean and manicured
transformed by time and shame
a winter soul touches my face
monuments and microwave towers
mark forgotten bones and anger
generations have since lapsed
daily living replaces daily dying
a statue to Babiy Yar children
cheated of life, now frozen in bronze
broken necked dolls, uplifted arms
quieted by horror, bereft of love
they seek to reconcile their
obscene, unexplained demise
perhaps it is simple:
hatred is easy, love is difficult
* (Note: Babiy Yar is a place on the outskirts of Kiev where more than 120,000 people were machine gunned to death in a deep ravine by occupying German forces from 1941 to 1943. More than 40,000 Jews were murdered in the two-day period September 29-30, 1941. The ravine was turned into a burial place for Jews, Russians, Ukrainians, Hungarians, Czechs, Gypsies, prisoners of war, patriots, mentally handicapped and ill people. The Nazis did not even spare children, old people, pregnant women. Many were shot and buried alive. Before the Russian army reclaimed Kiev two years later, German forces did their best to unearth the tens of thousands of rotting corpses and incinerate them, in an attempt to destroy any evidence of their crimes. The fires were so great, the light could be seen from downtown Kiev.)
odessa kittens prowl and scratch
darkened arches and potemkin steps
bad mannered bengals and lucious bobtails
long haired maus and athletic ragdolls
stalk sicamore-lined ulitzas with henna hair
and thigh-high fashion boots
those sturdy bodies and deep chests
soft shoulders and swaying hind quarters
wrapped in pedigree furs and painted nails
purr into cell phones slavic dreams
while boorishly chain smoking marlboro slims
brutal beauty amid ruined buildings
postered with attitude and lingerie advertising
are the bolshoi attraction of all mens' obsession
in night and day and dream
the odessa cats are on the prowl
stray loving and pernicious
they wrap themselves around their men
both cliched and delicious
Sunday school promised me His way was love and mercy not anger and revenge still, I feared your God I stepped anxiously in a larger world afraid to distract his busy hand from worldly matters to my failings then one worldwide disobedient day he tutored me himself my grandmother died in my arms that day she peeled a potato then folded to the floor
her bluish lips spoke nothing of a next world He taught me love and mercy for her lost life anger and revenge for his master plan
call me never, on any day your lips taste criticism in my ears, your words whip the backs of whining dogs commit to silent waters the hand that disturbs the night the pain sounding down the hall the personal brutality of blame then I will dream the morning sun shines those darkened places where ambush shame resides to warm the cold of judgment and illuminate the peace
when you lie and I believe
(beggar me pleads your face
not speak broken words and artifice)
this is not the end but reprieve
there is comfort in not seeing
how once we loved and lost it all
our souls shared peace and then the fall
from grace for foolish selfish being
we are separated by many years
of smoky love and mirrored pain
(up and down and round again)
tectonic strains of tears and fears
tell me softly, again, in kind
with braided hair and Revlon kisses
the lie. Pretend you are my Mrs.
and I your Mr. mercifully blind.
I was just a boy without a history
amid the basement dank and fleas
your golden breath perfectly teased
my twisted past, our mystery
so now I lie and you believe
that love is loaned here from above
I am imprisoned in my love
and you are now a soul set free
when you lie and I believe
there is comfort in not seeing
we are separated by many years
tell me softly, again, in kind
I was just a boy without a history
so now I lie and you believe