Tony O'Neill on the official website of Laura Hird



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To read Tony's two latest showcase stories, click here, to read Tony's story, 'Nothing Shocking,' click here, to visit Tony's official website, click here; to read Tony's thoughts on Chet Baker's 'Almost Blue' click here or to read Tony's story 'Notes from a Shipwrecked Harbour' click here


 


Tony O'Neill is the author of the autobiographical novel "Digging The Vein" (Contemporary Press and Wrecking Ball Press in the US and UK), the short story collection "Seizure Wet Dreams" (Social Disease), and an upcoming volume of poetry "Songs From The Shooting Gallery," about which Dennis Cooper said: "The great power of Tony O'Neill's poems is obvious to anyone, but I hope people understand what a rare, extreme talent it takes to write poetry at once so precise and beautiful yet so imperiled by the damage in its own world." He lives in New York City with his wife and daughter, and complains daily about the lack of good TV and the high cost of illegal intoxicants. Please visit Tony's website for more details and links to poems and stories, or direct hate mail to mail@tonyoneill.net.


Leave a message for Tony on the site forum here


TONY'S FAVORITE 5 LINES IN POPULAR MUSIC


"And as I climb into an empty bed... oh well, enough said"

'I Know It's Over' by The Smiths

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"I'm a streetwalking cheetah with a heart full of napalm"

'Search and Destroy' by The Stooges

***

"When I'm rushing on my run... and I feel just like Jesus' son"

'Heroin' by The Velvet Undeground

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"I can hear the screams from up above... if it ain't a fist it isn't love"

'Hells Ditch' by The Pogues

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"Oh Lord there's a hole in my arm where all the money goes"

'Cop Shoot Cop' by Spiritualized

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"I am stronger than Mensa, Miller and Mailer... I spat out Plath and Pinter"

'Faster' by The Manic Street Preachers (when they still stood for something)


TONY'S INFLUENCES


DAN FANTE

"For creating great art out of great pain and telling a fantastic story in the process."

Click image to read Dan's story, 'Princess' on the Showcase section of this site; to read Ben Pleasant's Man on Fire interview with Fante on the Hollywood Investigator website, click here; for Ben Myers' 3am interview with Fante, click here; for a Lummox Press interview with Fante, click here; to read Fante's story, 'Wifebeater Bob' on the Exquisite Corpse website, click here; to read an extract from Fante's novel, 'Mooch' on the Exquisite Corpse website, click here or for related items on Amazon, click here.


WILLIAM S. BURROUGHS

"For his wicked, outrageous humour and for inventing a new language for literature in the space age."

Click image to visit the William Burroughs files on the Interwebzone; to read more about Burroughs on the I Zine, click here; to visit the Biography Project pages on Burroughs, click here; to listen to the Ghost of William Burroughs on the Netherworld site, click here; for J.G. Ballard on Burrough's 'Naked Truth' on the Salon.com website, click here; to listen to Gary Goldhill's 1963 Third Programme interview with Burroughs on the BBC 4 website, click here or for related books on Amazon, click here


LENNY BRUCE

"For his heroic life."

Click image to visit the Complete Lenny Bruce website; for sound clips on the Ladies and Gentlemen Lenny Bruce site, click here; for the Lenny Bruce FBI File on the Fade to Black website, click here; to read about the Lenny Bruce Trial 1964, click here; for Ronald K.L. Collins and David M. Skover's article, 'Pardoning Lenny Bruce's Language' on the Forward website, click here or for related items on Amazon, click here.


CHET BAKER

"For his beautiful, ruined voice and his beautiful, ruined face."

Click image to visit the Chet Baker Lost and Found website; to visit the Chet Baker Tribute Site, click here; for a discography of Baker on the Blue Note Records website, click here; for a biography of Baker on the Shout.net website, click here; for Robert Garfias's reminiscence of Baker on the UCI website, click here or for related items on Amazon, click here.


NICO ESTRELLA O'NEILL

"My daughter who at one year old is teaching me everything I know about life."


LINK TO TONY'S WORK ONLINE


Read Tony's short story, 'Ghost Town' on 3am Magazine website here

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Read Tony's short story, 'Startdust Memories (From Room 17B of the Deville Motel, East LA)' on Lit Vision here

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And some of his work will be appearing in the spring 2005 debut issue of Katalogue Magazine, whose website is here








SELECTED POETRY
by Tony O'Neill





SUNSET BOULEVARD 1999


Sunset Boulevard 1999
night dwellers nodded out
on Mexican heroin
between itchy sheets from China
in squalid motel rooms let for 40 dollars
by men from Egypt or Bangladesh
who mop their brows
and loosen their collars
and curse in obscure dialects
when you complain that the
toilet doesn’t flush or the
sheets still have blood on them
from the previous occupant

we are spinning towards the close
of the 20th century
and maybe the whole city will burn again
or the computers will crash
or the airplanes will fall from the sky
and riots and murder
and insanity will rule the streets
when the clock strikes midnight

but I will be here
waiting out the end of this century
in self imposed exile
from the mediocrities of the past
100 years. With so much ugliness
and banality I am left to
ponder the beauty of a bathroom light
winking, refracted through a
4-dollar crack pipe
bought in the corner store
with a small
dead rose
curled within it.


GOLD DIGGERS - LIVE GIRLS!


the sad faced old Korean women
dance slowly around the stage,
unappetizing tits flopping about,
smiling painfully at us

this isn’t entertainment anymore:
we are here to stare as one might
gawp at a bloody auto-wreck.
a pall of agonized desperation hangs
over this place, the signs of
the coming apocalypse are everywhere:

in the grit floating in my watered down
whiskey and soda - reflected
in the pools of stale beer on the vinyl floor -
tapped out, Morse-code-like
in the spry scampering of a water bug
as it breaks from the safety of one table
to another - written on the walls of the toilet
clogged with blood and shit and
reams of filthy paper -
in the eerie glow of the fluorescent sign
outside of this Los Angeles catacomb -

none of us are smiling
at the awkwardness
of the women as they dance,
none of us are horny or happy
or drunken or raucous,
we sit as if at a museum
watching the ugly humanity with
detached interest

we know the world is ending
we know our personal universes are collapsing
so we sit and watch these sad women dance for
dollar bills because there is nothing
left
to do -

except to wallow
in the heinousness
of what we have
become


BLACKBURN, LANCASHIRE


when the Beatles sang about 4000 holes
maybe they were talking about the 4000 assholes
on a hung-over Sunday morning
shitting out last nights doner kebabs and Bacardi Breezers
into the town’s sewerage system
to be carried away and washed up
on Blackpool’s stinking polluted shores

or maybe the 4000 holes
getting filled on a Friday night
in car parks, on the backseats of Honda Civics
and in the toilets of provincial nightclubs

maybe they should have sang about just one hole-
the black hole that sucks in culture and ambition there
and turns it into stasis and inertia
as if the whole place is an exercise in preservation

or maybe they should have sang about
the invisible Berlin wall that cuts Audley Range in two
in an act of unspoken, unacknowledged apartheid:
on one side the Asian population with at least a culture
sending the sounds of laughing children and the smell of spiced lamb
into the grey air with the promise of something more beyond the town

and on the other side the working class whites -
with nothing to hold onto but resentment
White Lightening
and a team that never wins

I always thought that this place would have produced
the best rock and roll in England
because there is everything to fight against
and nothing to inspire complacency

but no -
the sum total of the town’s achievement:
the lead singer from Selfish Cunt
and the writings of a smack addled pornographer
that nobody except you – dear reader -
has read


RINGMASTER OF OBLIVION


across from my rehab until lay a
liquor store called Circus Liquor
replete with a 70 foot tall
neon clown who blinked at us,
bottle in hand, from across
the Pasadena night

“He’s taunting us” said Marty, my bugged
out speed-freak sex change roommate
as the clown flashed
on
off
on
off

“He’s fucking TAUNTING us”
and it was true, every night
we sat noses pressed to the glass
almost tasting that first beer
through sheer force
of will

when I slept I felt his
light blinking against the nape of my neck
like restless – sinking – 4am guilt

when the time came for me to go
it happened quickly – I had enough
and found myself blinking in the
sunlight with my holdall
and my thoughts
and of course I went

the first beer
could only be
a disappointment
it’s true

flat, warm,
like rancid alcoholics piss
but I never was
a beer drinker

I cashed my check
and stepped out onto the parking
lot and tried to figure how
I’d make it downtown

and the goddamn clown
just looked down
with a knowing, insinuating
smile


EULOGY


I remain half a person:
I lost the other part
Somewhere in the city
Told him ‘wait here, I’ll be right back’ -
And abandoned him by a phone box
In a bad part of town
Docile, trusting that I would return.

He was stolen from me by all of the whores
Who took my prick then took my drugs
Removed in indefinable increments
By the time I woke up alone
In East LA motel rooms the next morning.

He was like my teeth:
One day there, the next day gone in an explosion of pain and blood
But one week on and it was as if
The hole was all that had ever been there

He is trapped in the refracted light
Twinkling in Virgin de Guadalupe pendants
Around the necks of tequila stinking men
Laughing outside of 7-11’s

His image appears like
Jesus on the Turin shroud
In the purple - yellow bruises
On the legs and faces of sad, pitiful crack whores

And I am the solitary mourner
At an imaginary funeral
Here; tossing the sod on a plywood coffin
With a mumbled, fumbling eulogy.


FOR STEVE P.


the abiding memory of you:
sticky London summer in your Dagenham kitchen
flesh plastered to crackling bones and hair wild
like a junked out Egon Schiele, with a crack pipe
dangling – all casual, like - from your lips

placing the syringe on the counter top
while rivulets of deep red blood flowed from yr arm to the linoleum
and me absently thinking
“god is in this room and pulsing through my veins”

yr thumbs cracking open CD security cases
with an almost undetectable application of pressure
such economy of movement I had never seen - lizard-like – poetic
a man for whom shoplifting was both a career and an art form

I often thought that your kids were lucky
to have a father so experienced in survival
so adept at working the system
so versed in the arcane

and then you vanished -
no phone calls – your flat lay quiet
no answering machine messages drunk at midnight
no clues, no nothing

maybe back inside of Pentonville
or a rehab unit somewhere
or lost to God in 12-step meeting rooms

there’s only that or death for the likes of us
and you were always too smart for death

if you read this, I want you to know that it’s almost 3 years on
and I’m still alive and doing better
found another hustle now
it doesn’t pay any, but goddamn it anyway

lost to God or lost to the worms
or lost to life or lost to words
wherever you are just know
that I remember everything
as fresh and raw and real and red as the blood
congealing on yr floor that afternoon


HEY, RANDAL


hey Randal
i was thinking about you today
remembering you in the bathroom of Goldfingers
and you were saying
don’t marry her!
you’re fucking crazy!
i lived with her for two years
she’s nuts, man

then you offered me a line of crystal meth
and I ignored your advice

well you were right
she was fucking nuts and the marriage didn’t last
and the drummer from the band we saw
went on to marry Lisa Marie Presley
that didn’t last either
i guess everyone got fucked over that night

hey, Randal
remember when we stayed up for 3 nights
getting high
and we ended up in The Spotlight
and everything seemed out of focus
6 in the morning and we were
snorting speed off the bar with a leather fag called Marty

i went to take a piss
became scared by my reflection
watched two old guys blowing in each other
right out in the open

and then we were off on your bike
roaring down Hollywood boulevard
pulling up alongside an LAPD prowl car
and you smiled and waved at them
before the light changed and we roared away
weaving in and out of traffic
steered by the hand of god?

hey, Randal
remember on that balcony
after we’d bailed our coke dealer out
and waited for him outside of the station
so we could pick up two eight balls
and he said
you white boys are fucking crazy
grinning a big wide grin

and full of cocaine and speed
and pills and booze
i said you were my brother and that i loved you
then i got embarrassed
but you said
its OK, i know
we’re the same you and me
just don’t ever forget this


and then, Randal
hell found us
and the party ground to a halt

Maus showed me pictures of you
in the period we lost touch
you looked older, bigger
haunted
you’d grown a crazy Anton LaVey moustache
and sat around the house for a year
smoking crack
and checking the door was still locked

and me?
that’s an old story
another ex-wife
two stints in rehab
a tattoo I don’t remember getting
and some missing teeth
(you can fill in the gaps, my friend)

but hey, Randal
i saw the pictures in Cambodia
when Maus rented your apartment and sold your car
and sent you over there to get better
with our friend Dave

you looked thinner healthier
that crazy moustache was gone
the haunted look was gone
and the pain was gone
you looked like my brother again
and the picture they used at your memorial service
is the one that really stuck in my head

an abandoned truck
thrown from the bike
neck snapped neatly
with some new girl
and Dave B at your side
you died as you lived
at full throttle

hey, Randal
you really got it made
in death you are perfect
ageless
reckless and beautiful
forever


WAR EVERY DAY


i have spent nights upon nights
shivering in the los angeles heat
waiting for the landlord
to start screaming about the rent
or my phone to buzz into life
with my dealers insane demands
that i pay what i owe him
no money, no veins
no nothing
just the snores of a junkie whore
sleeping in the bed next to me
her face pressing against my chest like
unrelenting dread
and the sickness is upon me
and The Fear is upon me
and my heart
battering against my ribs
like a starved rat in a cage
driven insane by the stench
of garbage
and i have thought to myself
"aw krist
under any other set of cirumstances
i could be happy..."
but when i crawled out of the garbage
and life took one of those unexpected turns
it does from time to time
when everything should have been golden
life still felt
sometimes
like barbed wire dragged across
exposed nerve endings
lemmie put it like this:
my friend who can't quit
had a 2 year old daughter
he told me one day the saddest
truest thing i ever heard
"sometimes i just sit with her on my knee
on a summers night
overlooking the thames
and i think 'life could not be any more perfect'
but then i think
'if i smoked a little junk
maybe it could'
thats the trouble with us junkies"
he said sadly
"we're never fucking satisfied"


DEATH OF AN ACCOUNTANT


i always sensed that she was crazy
you could see it in her terrified
car-wreck eyes
she wasn’t pretty
or fun to be around
most of the time she scared
the living shit out of me
i guess she suited my mood back then
more of an assisted suicide than a wife

the day I realized she was unraveling completely
we were shooting coke
and up in Venice Beach
getting prescriptions for morphine sulphate
from an octogenarian writing fool of a doctor
and the relentless clear skies and blazing sun
made it feel like a movie
the kind of movie
you wouldn’t want to get stuck watching

She said “wait here”
Staggered into a tobacconist
And emerged with $40
Of flavored cigars (she didn’t smoke)
“look at all these flavors!” she squealed
and I just looked at her glassy eyes
and those useless cigars
and I just KNEW, baby

her parents were scientologists
crazy in their own Californian way
and 2 hours later we were at their house
trying to borrow their car
“my mother is out of town” she told me

she wanted to drive her mother's car back to Hollywood
to score heroin with the rest of her disability check
but upon arriving she disappeared into the bathroom to fix
and left me coked out of my mind
making small talk with her father
who was already suspicious of his daughter’s outlandish manner
and we sat and looked at each other
and 20 minutes dragged by
and we sat and looked
and 30 minutes craaaawwwwlllleeeddd by
and I give him a look and a shrug as if to say
‘she’s fuckin’ nuts, what are you gonna do?’
and she was in there for 45 minutes trying to find a vein
before she popped out like a demented bleeding
coke fiend jack in the box
as if nothing had happened and started demanding her mothers car keys

well i guess the poor old bastard was too freaked out to argue
because the next thing she was reversing this big ugly SUV
out of their parking space into a narrow back alley
and I was trying to guide her
and her father was muttering to himself and cringing
and with a scraaaappppeee she took of half of the wing
and a chunk of the gate
and the car just stalled there
mute and useless

with a scream like banshee giving birth she leapt from the vehicle
and ran down the alley
and I gave him another shrug and we followed
finding her curled up in the fetal position
sobbing and muttering nonsense
amongst the garbage and the empty crack vials
her father looked at me for an explanation
but I had none worth giving

when I fled the west coast
like a startled rat fleeing a garbage can
she followed me to London
to a coldwater flat
in Hackney’s murder mile
where we sat and waited for release
and spat and
fought and shot up
and watched roaches dancing
on the black and white portable
like two earthbound phantoms

but that was years ago
and life evolved in indefinable increments
and the last time a saw her I was holding your hand
on a frosty north London night
when she appeared like a ghost
on the platform of Queens Park underground station
older and sicker
walking with a cane and holding onto
a sick looking old junkie for support
and she stayed on the train with us for a couple of stops
high and nodding
mouth slack from the medication she was on
face worn down into permanent ugly bitterness
the conversation was vague and circular
and when she got off you turned to me and said
“my god – that’s her? That’s your ex?”

and despite the cold as we walked into the lights of Euston station
I felt warm with your hand in mine
And I said “yes,
“there goes my ex-life.”


THIS IS A LOVE SONG


We met at what I thought
was the beginning of a beautiful career
but what turned out to be
its peak and last gasp

but still
you made all of the unpaid checks
and broken promises
and hopes raised then dashed
and bitterness worthwhile

I remember thinking you looked
Like no-one I had ever seen
Somewhere in between punk rock
And high fashion
Wide beautiful mouth
And soft brown skin

And I was flailing around
Trying to figure out just what the fuck I was
Trying to hard to prove I was one thing
And scared I was the other
But you smiled and thought I was crazy
But never judged me harshly
Not even in the junk sick mornings
When you woke up and saw me crouched on your floor
Probing for a vein and cursing

Your pussy, your asshole,
Your lips, your tits
Your buttocks, your mouth
In that dim East End bedroom
With the clang of the market traders
Like syrupy strings in a dumb movie
I kissed and held
And fucked and loved them all

And nights in bars
High on crack and love love love
Looking better than everyone else
And running home before the ecstasy kicked in
To eat your pussy or take pictures
While you sucked me, smiling

Our first place in Dalston
With the mice and the roaches
And the little heater we had to put on
For an hour before we undressed
And the music we blasted
And the child we conceived
And the promises we made
Huddled under the sheets

In the broken down Paris neighborhood
We made it like the Greeks
On the bed of a 7 year old girl
Sleeping with her mother in the next room

In the show at the 100 club
While some forgettable band played on
I worked your dress up
No panties
And we made it right there
Surrounded by the cool kids
That we knew were lame

And in the hospital
When they tore our hearts our with the news
And they sent you home to miscarry with
A box of codeine
And a leaflet about dealing with loss
I thought:
This is always how things end
Hospital rooms
Screaming ER drunks
That dread void in the heart
That swallows even your ability to cry
Do we follow the script
And spin off into our private miseries
Or do we take this pain and rottenness
And built a cathedral from it?

And here we are
Not in tragedy and heartbreak
Just two people
Still able to love
Watching a stupid show on TV
Laughing about how dull
And banal people really are
Our child sleeping up the hall

And we are
Content – for once
Content.



© Tony O' Neill
Reproduced with permission





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© 2006 Laura Hird All rights reserved.